GARBIKW

ARTISTA / MÚSICA / IMAGENGARBI KW — UNIVERSO EN EXPANSIÓN

GARBIKW

Oso rosa de Garbi KW con arnés negro

Soy Garbi KW, artista multidisciplinar. Hago música, vídeo y obra plástica.

Trabajo con sonido, dibujo, pintura, collage e imagen digital. También dirijo videoclips, creo visuales para conciertos, VJing y experimento con IA. En mi obra aparecen el género, el deseo y la identidad, con humor, ternura y una mirada queer.

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01 / En primer plano

Fractured Promise Sequences.

02 / Música

Música.

Spotify ↗

03 / Desde YouTube

Desde mi canal.

Garbi KW

Garbi KW
Rush Rush Megamix is an 8-minute ballroom techno collage built from my own music. Fragments of Ballroom for Invisible People, Echoes Never Need Guest Lists, Fractured Promise Sequences and Toxic Love Crash collide with Rush Rush to create one continuous rush of hard dance energy, chopped vocals and relentless rhythms. A queer club ritual where synthetic bodies, surreal imagery and accelerated movement blur into a single audiovisual experience. Less a remix than a reconstruction: familiar tracks dissolve into something unstable, physical and alive. Created, produced and mixed by Garbi KW. FFO: Ballroom Techno • Hard Dance • Experimental Electronic • Queer Club • Hyperpop • Industrial Club • Avant-Pop • Dance Art #GarbiKW #BallroomTechno #HardDance #QueerArt #ExperimentalElectronic #ClubMusic #Megamix #ElectronicMusic #Hyperpop #dancemusic 🎧 Garbi KW — queer multimedia artist exploring AI-generated visuals, experimental video and electronic music. Sound and image are composed together through artificial intelligence, synthesis, editing and digital experimentation. Original music, visualizers, video art, audiovisual loops and extended works moving between dark electronica, experimental club music, ambient textures and unstable digital worlds. AI is used as a creative instrument to transform and connect sound, image and narrative. Instagram: https://www.instagram.com/garbikw/ Web: http://garbikw.com TikTok: https://www.tiktok.com/@garbikw Spotify: https://open.spotify.com/intl-es/artist/4nN5rqAdROmPqnR5rl5aM7 #AIVideo #ExperimentalMusic #VideoArt
🎧 Garbi KW This channel is an evolving audiovisual system where sound and image develop together over time. Here you’ll find original tracks, visual loops and experimental video works presented as part of an ongoing process. Many uploads appear as fragments rather than finished statements — built through repetition, rhythm and duration, and later expanded into more complex pieces and live formats. The work moves between precision and instability, structure and mutation. Sound and image function as one composition rather than separate elements. This channel focuses on continuity rather than trends, building a consistent language across releases. An archive, a workspace and an unfinished body of work. Instagram: https://www.instagram.com/garbikw/ Web: http://garbikw.com TikTok: https://www.tiktok.com/@garbikw Spotify: https://open.spotify.com/intl-es/artist/4nN5rqAdROmPqnR5rl5aM7
Nobody leaves Club Exit the same. Club Exit is a relentless journey through dark techno, industrial rhythms, hypnotic eurodance melodies and raw electronic textures. Designed as one continuous audiovisual experience, this transmission moves between underground club energy, emotional tension and late-night euphoria. Heavy kicks. Distorted synths. Ritual repetition. Moments of fragile beauty hidden inside relentless movement. Whether you're driving at night, working, creating, gaming or simply disappearing into sound, Club Exit invites you into a world where the lights never completely switch off. ━━━━━━━━━━━━━━ ARTIST — Garbi KW LIVE TRANSMISSION — 18 TITLE — Club Exit ━━━━━━━━━━━━━━ Similar genres • Dark Techno • Industrial Techno • Hard Dance • Eurodance • Gabber • Hypnotic Electronic • Underground Rave • Experimental Electronic ━━━━━━━━━━━━━━ New music, audiovisual experiments and original electronic releases every week. Subscribe if you enjoy underground electronic music with a cinematic and artistic approach. 🎧 Best experienced with headphones. #DarkTechno #IndustrialTechno #HardTechno #Eurodance #Gabber #ElectronicMusic #Underground #Rave #TechnoMix #GarbiKW
No Face No Name is a full-length experimental electronic album by Garbi KW, exploring the strange relationship between identity, technology and emotion through a blend of hyperpop, experimental electronic music, techno, minimal, dubstep, ballroom and futuristic club sounds. Built from fractured rhythms, distorted vocals, heavy bass, digital textures and surreal atmospheres, the album imagines a world where faces disappear, names lose their meaning and personality becomes another file waiting to be overwritten. Every track moves between euphoric dancefloor energy and intimate digital melancholy, creating a cinematic journey through internet nostalgia, artificial emotions and post-human pop aesthetics. Inspired by underground club culture, early web nostalgia, futuristic minimalism and experimental sound design, No Face No Name continues Garbi KW's universe of pink surrealism, emotional electronics and boundary-pushing audiovisual art. If you enjoy artists and genres such as Hyperpop, Experimental Pop, Techno, Minimal Techno, Dubstep, Ballroom, Deconstructed Club, Electronic Music, Glitch, IDM, Ambient and Avant-Pop, this album is made for you. Subscribe for more original music, experimental visuals and new audiovisual projects. 🌐 https://garbikw.com 🎵 https://www.tiktok.com/@garbikw 📸 https://www.instagram.com/garbikw/ #GarbiKW #Hyperpop #ExperimentalElectronic #Techno #Minimal #Dubstep #Ballroom #ElectronicMusic #AvantPop #DeconstructedClub #ExperimentalMusic #FullAlbum #UndergroundMusic #DigitalArt #FuturePop
There are places that only exist while the bass is playing. Transmission 17 moves through hyperpop, hard dance, gabber, experimental club, deconstructed rave, industrial electronics and accelerated pop mutations. Synthetic voices dissolve into distorted percussion, surreal rhythms, fragmented melodies and impossible dancefloor energy. Every transition pushes further into a landscape where the body becomes sculpture, signal and noise at the same time. Garbi KW builds audiovisual transmissions where electronic music, queer aesthetics and digital experimentation merge into a single continuous experience. Rather than a playlist, each session unfolds as an evolving narrative of movement, artificial beauty and emotional overload—where club culture becomes a space for transformation instead of escape. If you're into hyperpop, hard dance, hardcore techno, gabber, deconstructed club, experimental electronic music, underground rave culture, avant-pop and surreal audiovisual art, this series is made for you. Listen, share and subscribe for new Transmissions, original music, audiovisual experiments and new electronic releases. Spotify https://open.spotify.com/intl-es/artist/... Instagram https://instagram.com/garbikw TikTok https://tiktok.com/@garbikw #Hyperpop #HardDance #Gabber #ExperimentalClub #HardcoreTechno #DeconstructedClub #ElectronicMusic #QueerArt #AvantPop #GarbiKW
Pretty Boys Die In The Light imagines a city where beauty survives only after midnight. Every fluorescent hallway becomes a runway, every empty parking garage turns into a cathedral, and every spotlight reveals another version of yourself that daylight refuses to acknowledge. This is not an album about darkness. It is about what happens when the light becomes the predator. Here, beauty isn't innocence—it's resistance. Every stare leaves a bruise. Every reflection invents another identity. Glamour and danger become indistinguishable until the city itself begins collecting beautiful people like forgotten monuments. Musically, Pretty Boys Die In The Light blends experimental hyperpop, ballroom, industrial techno, electroclash, EBM, dark club, deconstructed club, hard dance and cinematic electronic music. Distorted kicks collide with crystalline synths, fractured vocal textures dissolve into warehouse atmospheres, while aggressive club rhythms are interrupted by moments of eerie silence and emotional collapse. The track titles read like pages torn from a forgotten underground zine: Neon Halo Autopsy. Mascara Under Emergency Lights. Cathedral Built From Flashbulbs. Lipstick On The Crime Scene Tape. Soft Bodies Cast The Darkest Shadows. Together they tell the story of a city obsessed with beautiful bodies—not because it loves them, but because it consumes them. Beauty becomes a warning. The spotlight becomes the last place to hide. — Music, visuals & art by Garbi KW https://garbikw.com https://www.tiktok.com/@garbikw https://www.instagram.com/garbikw/ #GarbiKW #DarkHyperpop #IndustrialTechno #Ballroom #Electroclash #DarkClub #ExperimentalElectronic #EBM #DeconstructedClub #HardDance #ClubMusic #UndergroundElectronic #QueerArt #AlternativeFashion #CyberGoth #Glamour #VisualArt #AvantPop #ElectronicMusic #DarkAesthetic
Dead Boy Walking is a full-length audiovisual album by Garbi KW, where experimental hyperpop, techno, ballroom, gabber, dubstep and deconstructed electronic music collide with queer underground culture, post-club melancholy and raw emotional storytelling. Inspired by forgotten rave flyers, DIY punk aesthetics, abandoned nightlife, underground queer spaces and the fragile beauty that exists after survival, the album transforms vulnerability into rhythm. Heavy kicks, distorted vocals, minimalist passages, broken synths and cinematic sound design create an immersive journey that constantly shifts between violence and tenderness. Rather than chasing perfection, Dead Boy Walking embraces imperfection as identity. The songs move through industrial club energy, digital loneliness, sweat-soaked dancefloors and quiet moments after the music stops, asking what remains when every label, expectation and mask has finally disappeared. This project continues Garbi KW's visual and musical universe, where photography, collage, experimental electronic production and surreal aesthetics become one continuous narrative. Every release is another chapter exploring identity, memory, queer nightlife, internet nostalgia and the emotional architecture of underground culture. If you enjoy Hyperpop, Experimental Electronic, Techno, Ballroom, Gabber, Dubstep, Deconstructed Club, Industrial, IDM, Glitch, Avant-Pop and underground electronic music, this album was made for you. New music, experimental visuals and audiovisual projects are released regularly. 🌐 https://garbikw.com 🎵 https://www.tiktok.com/@garbikw 📸 https://www.instagram.com/garbikw/ #GarbiKW #DeadBoyWalking #Hyperpop #ExperimentalElectronic #Techno #Ballroom #Gabber #Dubstep #QueerArt #UndergroundMusic #DeconstructedClub #ElectronicMusic #AvantPop #IndustrialTechno #FullAlbum
Rush Rush by Garbi KW
Some nights begin long before anyone opens the doors. This record lives inside one of them. There are no miracles here, only bodies refusing to disappear. Pink light replaces stained glass, smoke hides old certainties, and every kick drum pushes another piece of fear outside the room. What was once called devotion becomes movement. What was once called shame becomes choreography. Each track follows the same journey through a club that slowly transforms into a sanctuary built by those who were never expected to belong. The dancefloor becomes an altar, platform boots become ceremonial objects, and every stranger carries enough light for someone else to find the next room. Nothing is waiting beyond the final song. The celebration itself is the destination. 🖤 Listen on Spotify https://open.spotify.com/artist/0L4A5nB3x2Q5Q5wQ5Q5Q5Q 📺 More music & visual projects https://www.youtube.com/@garbikw 📸 Instagram https://www.instagram.com/garbi.kw 🌐 Website https://www.garbikw.com #GarbiKW #Techno #Ballroom #Queer #QueerArt #ElectronicMusic #UndergroundTechno #HardDance #ClubCulture #DarkElectronic #ExperimentalMusic #LGBTQ #DanceMusic #VisualArt #PinkAesthetic
White Roses Respawn by Garbi KW
Boys After Dark imagines a city that only truly exists after midnight. Not because the streets change, but because the people do. Every apartment becomes a tiny universe. Bedrooms mutate into dancefloors. Empty supermarkets echo like cathedrals. Arcade machines keep running long after everyone has gone home. Somewhere between hyperpop sweetness and industrial collapse, a generation quietly rewrites itself before sunrise. The album follows dozens of different boys who may all be the same person. They drift through abandoned malls, queer house parties, forgotten internet cafés, fluorescent train stations and impossible clubs where ballroom, gabber, techno, lo-fi ambience and broken pop melodies coexist without ever asking permission. Nothing stays in one genre for long. Gentle ambient passages suddenly fracture into violent gabber kicks. Innocent synth lullabies dissolve into distorted industrial textures. Ballroom rhythms appear where silence should be. Hyperpop hooks melt into broken tape loops before returning as euphoric techno. Every track behaves like an unstable memory that refuses to settle into a single identity. The album is built around one idea: Tenderness is never the opposite of violence. Sometimes it survives inside it. These forty-two tracks aren't chapters of one story but fragments from hundreds of nights stitched together into a single emotional landscape, where queer nostalgia, internet mythology, childhood, club culture, loneliness, beauty and digital decay all occupy the same dream. The night doesn't hide who these boys are. It gives them permission to exist before the morning asks them to become someone else again. — Music, visuals & art by Garbi KW https://garbikw.com https://www.tiktok.com/@garbikw https://www.instagram.com/garbikw/ #GarbiKW #BoysAfterDark #Hyperpop #Techno #Gabber #Ballroom #ExperimentalElectronic #Electroclash #IndustrialTechno #LoFi #Dreamcore #Weirdcore #QueerArt #QueerMusic #ElectronicMusic #ClubMusic #UndergroundElectronic #AlternativePop #DarkPop #AvantPop #DigitalArt #VisualAlbum #ExperimentalMusic #CyberDream #PinkAesthetic #Rave #Nightcore #ConceptAlbum
Boys After The Apocalypse is a full-length audiovisual album by Garbi KW, blending experimental hyperpop, techno, ballroom, gabber, dubstep, industrial electronics and deconstructed club music into a surreal journey through the ruins of a world that never really ended—it simply stopped making sense. Set inside abandoned arcades, forgotten clubs, broken machines and empty streets lit by neon, the album imagines a generation dancing after the collapse of certainty. The apocalypse isn't presented as destruction, but as freedom from expectations. When the old rules disappear, identity becomes something fluid, emotional and constantly rewritten. Across distorted vocals, fractured beats, heavy basslines, metallic textures and moments of unexpected calm, Boys After The Apocalypse explores themes of queer nightlife, digital nostalgia, underground communities, loneliness, resilience and the strange beauty that can still exist after everything familiar has disappeared. Visually and sonically, the project expands Garbi KW's universe of pink dystopias, retro technology, underground rave culture, internet memories and cinematic storytelling. Every track feels like another transmission recovered from a future that looks strangely like the past, where abandoned arcade machines still glow, dancefloors never completely die and love survives inside the static. If you enjoy Hyperpop, Experimental Electronic, Techno, Ballroom, Gabber, Dubstep, Deconstructed Club, Industrial Electronic, Glitch, Avant-Pop and underground electronic music, this album was made for you. New music, experimental visuals and audiovisual projects are released regularly. 🌐 https://garbikw.com 🎵 https://www.tiktok.com/@garbikw 📸 https://www.instagram.com/garbikw/ #GarbiKW #BoysAfterTheApocalypse #Hyperpop #ExperimentalElectronic #Techno #Ballroom #Gabber #Dubstep #DeconstructedClub #IndustrialElectronic #AvantPop #ElectronicMusic #UndergroundMusic #FullAlbum #VisualAlbum
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04 / Dirección y colaboraciones

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05 / Libros

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06 / Textos y actualidad

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